September 9, 1892

Amilcare Ponchielli's opera, 'La Gioconda', premiered at La Scala in Milan.


Milan, Italy | La Scala

Watercolor painting based depiction of Amilcare Ponchielli's opera, 'La Gioconda', premiered at La Scala in Milan. (1892)

La Gioconda’s Premiere at La Scala

Date: September 9, 1892
Location: La Scala, Milan, Italy

Composer: Amilcare Ponchielli

Background:
La Gioconda is an opera in four acts by Italian composer Amilcare Ponchielli, with a libretto by Arrigo Boito under the pseudonym Tobia Gorrio. The work is based on the play “Angelo, Tyrant of Padua” by Victor Hugo. It is one of the few Italian operas from the period between Verdi and Puccini that still retains a place in the standard operatic repertoire today.

Plot Synopsis:
The opera is set in 17th-century Venice and centers around the tragic journey of La Gioconda, a street singer, as she navigates love, jealousy, and political intrigue. The intricate storyline is driven by the complex relationships between Gioconda, her beloved Enzo, Enzo’s romantic interest Laura, and Laura’s husband, Alvise, a powerful figure in Venice.

Musical Highlights:

  • “La danza delle ore” (Dance of the Hours): A ballet sequence in Act III, which is one of the most well-known pieces from the opera, often performed independently as an orchestral piece.
  • Aria “Suicidio!”: Sung by Gioconda in Act IV, portraying her emotional turmoil and resolve.

Significance:
Upon its premiere, ‘La Gioconda’ was well-received and praised for its expressive music, dramatic intensity, and rich orchestration. It represented a bridge between the grand operatic traditions of Verdi and the verismo style that Puccini would later popularize. The opera’s success reinforced Ponchielli’s reputation as a leading composer of his time.

Legacy:
Today, ‘La Gioconda’ remains a staple in opera houses, appreciated for its dramatic narrative and the virtuosic requirements it places on its lead performers. The enduring popularity of pieces like “Dance of the Hours” continues to keep Ponchielli’s music in the public consciousness beyond the opera stage.